Matthew Chambers has captivated audiences around the world with his abstract and technically elusive ceramics. Pairing his love of constructivist design with a fascination for the beauty of repetition, he has cemented his reputation as one of Britain’s leading potters.

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Beginning his career in 1993 as an apprentice to the potter, Philip Wood, Chambers went on to achieve a first-class degree from Bath School of Art before completing a MA at the Royal College of Art. During his studies, he developed an interest in the travel and progression of layered three-dimensional patterns, and how different qualities are achieved through the interaction of key elements: construction, rhythm, viewing position and depth of form.

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Chambers’ dedication to the potter’s wheel and the versatility of stoneware clay has enabled him to push the boundaries of ceramic sculpture. Many sections - often coloured with oxides and stains - are individually thrown on the wheel to produce a constructed symmetry, rhythm and serenity.

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An awareness of the exponential possibilities of clay and the impact of refining minor details within a repetitive process have elevated his work beyond conventional ceramic sculpture, culminating in works of abstract beauty and wonder.

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Matthew Chambers lives and works on the Isle of Wight. His ceramics are held in major collections and museums across the world, including the V&A and the Royal Academy of Arts in London.